This portrait by Van Dyck (1599-1641) depicts Nicholas Rockox, who reportedly served in the city of Antwerp, as burgomaster, where the painting was created. The painting was rediscovered in 1989 at auction, having been in the hands of Rockox’s family members since its completion. The painting was originally misidentified as being a work of Reuben and not Van Dyck’s, which seems reasonable considering the artists’ close relationship. Shortly after the sale, it was made available for public viewing at the National Gallery of Art in Washington. For whom the work was made is still largely unclear, but it is speculated that it was made for a private audience, and perhaps Nicholas Rockox himself. Van Dyck initially intended the paining to be used as a print for an iconography project, entitled The Iconography. The print was engraved by Paul Pontius (1603-1658), who etched after many of the works by both Van Dyck and Rubens. Van Dyck utilizes dark colors, placed upon a nondescript background, depicts a certain level of emotion, making the painting appear to be somewhat ominous. Van Dyck’s best-known works, such as Christ Crowned with Thorns, and Cardinal Bentivoglio, largely focus upon emotion portrayed throughout the pieces, as well.

By: Megan K. Hall

http://smalltreasures.as.ua.edu/?p=341